American Ghosts: Part 1

If you really want a quirky read that tells you a whole lot about the person who wrote it, find a book of local ghost lore. They’re not hard to find in gift shops and independent bookstores and they’re usually quick and easy reads. Most of them are published by tiny presses or occasionally the authors themselves so they’re not heavily edited; reading one really feels like getting to know the author, for better and worse. I haven’t done much traveling lately but when I do I try to pick up a ghost book or two. I’ve read a handful this year, some from places I’ve been and some featuring places I’d like to go someday, and for Spooky Month I thought I’d share a few with y’all. I’ll show you two this week and next Tuesday I’ll show you two more.

There’s always a balance to be struck between sharing local history and telling cool ghost stories, and today’s two books are on the extreme ends of the scale. Both are lovingly focused on their respective regions, though, and both are peppered with interesting black-and-white illustrations.

Haunted Santa Fe is almost entirely focused on history, mostly the history of the Spanish conquistadors of New Mexico and their descendants, which is Aragon’s proud specialty. Most of the stories are pretty much “here’s this famous person from New Mexico history, and yeah, maybe they’re a ghost now or something.” I prefer more ghosts in my ghost stories but the stories are colorful and occasionally touch on less famous people and events, which is nice. I have to admit, though, Aragon’s writing style doesn’t work well for me at all. He seems to be striving for a primitivist vibe, with a simple and almost childlike approach but I find it disjointed and hard to follow. In striving to be accessible he almost sounds like a child saying “this happened and this happened and wait, oh yeah, she was like this and that, and then this other thing happened and they were all . . .” It’s a style you’re either hate (me) or love (maybe you?) but if you love it you’re in luck because Aragon has written several books besides this one. If, like me, you hate it you can try one of the zillion other titles in the Haunted America series, all written by a variety of authors.

Ghosts Along the Bayou, as a contrast, is almost entirely focused on the ghost stories. Christine Word collected them from family and friends in the area, including the owners of a suspicious number of historical homes turned into hotels and bed & breakfasts. I was charmed by tale after tale of people hearing weird noises, seeing lights where there shouldn’t be any, feeling cold spots and seeing things they couldn’t explain. Finally, a ghost book totally focused on the weird things people experience. The near total lack of history comes off as slightly racist when people talk about the ghosts of enslaved people or make bitter remarks about the Union army without any real context, but most of the stories are really personal and small scale. Many ghost books are just excuses to talk about local legends, so I like that this one is so totally focused on the paranormal. The author even claims she has an arm that goes numb and cold now, thanks to a ghostly encounter. That’s hardcore.

And that’s it for this Tuesday’s ghost stories. Next week I’ll have two more books to share. Until then, I’d love to hear your city’s best ghost stories.

Bat Eater: a Review

What’s the book? Bat Eater and Other Names for Cora Zeng by Kylie Lee Baker

What kind of dark is it? Ghosts, murder, and lots of gore. This book’s got it all, baby!

How good is it? 8/10 hungry ghosts

Apparently China’s spooky month is August and I never knew. I knew a little about hungry ghosts and burning joss paper and Buddhist festivals for the dead but I somehow never noticed it all took place in August. I feel a bit dumb about this. Now that I’ve finished Bat Eater, though, I’ll probably never look at August the same way again.

This book is a ghost story and like so many ghost stories, it’s told in kind of a melancholy and lyrical tone. In fact, for the first few pages I was bored and a little annoyed by how literary and poetic Baker was trying to be. Then Cora’s sister got decapitated by a train and I wasn’t worried about the lyricism anymore.

The lyricism didn’t end. The book is full of poetically broken people and shown entirely through the lens of Cora’s narration, which is moody and introspective and melodramatic as hell. It’s just that on top of that silliness is an intensely gory and disturbing story full of hungry ghosts, crime scene clean-up, and murder. It’s intense and I loved it. Cora’s navel gazing about her OCD and her angst at being caught between cultures (and more specifically between her white Christian aunt on one side and her traditional Chinese aunt on the other) becomes a nice counterweight to the terror and gore she’s suddenly dealing with on a daily basis.

Oh, and this is also happening during the Covid Pandemic, which is both ramping up Cora’s germ phobias and seriously hindering the investigation of the serial murders Cora’s pretty sure are happening all around her. No surprise, the murdered people are all Asian and the killings appear to be hate crimes. With people regularly yelling “bat eater” at Cora on the streets, she’s pretty sure what the bats left at these scenes are supposed to mean.

Cora and her friends do try to investigate the murders but this isn’t a thriller or mystery novel. The emphasis is squarely on the horror, both human and supernatural. A lot of horror novels pull back on the gore in favor of the more subtle aspects of horror but this one smacks us full in the face with the violence of it all. Horror, especially in novels, is often a vehicle to talk about some larger moral or emotional question and it’s easy to get the balance wrong. Too much blood and nobody notices your message; too little and the reader is left bored and wondering why you didn’t just start a Substack instead of pretending to write a horror novel. For me, Baker gets the balance pretty much right, giving us an exciting story that also highlights the issues of identity and racism she wants to discuss.

The anti-racist message is also pretty heavy-handed at times but I’ve definitely seen worse and it’s an interesting perspective on the Pandemic. The messaging never takes over the story entirely and I appreciate the way Baker balances the cartoonishly racist white folks with a variety of Chinese characters, some of whom are also cartoonishly evil as far as we can tell. Sure, there’s a lot of suffering caused by racism but there’s a lot of suffering in general, caused by a lot of things.

That said, parts get a bit silly if you think about them too hard. Even in a pandemic, even with cartoonish levels of racism at play, this story’s murders would have been pinned on somebody way before Cora got involved. Horrific and creative murders done in crowded apartment complexes by multiple not-so-bright copycats? One of them’s getting caught and blamed for everything. The mystery part of this book is dumb. Still, with all the ghosts and poetic brokenness and tragic backstories I had a lot to entertain and enlighten me, even when the mystery fell a bit flat.